Game design can be such a roller coaster ride!
By the time this post publishes, we will have announced Za and our Valentine’s Day update. We have been working toward this for months, and I have been keeping it under my hat.
Button, button, who’s got the buttons….we do!
One of the underappreciated glories of developing a VR app is the incredible freedom it gives us with our buttons. We do not need to limit our buttons to the “x”s and “y”s on a controller, nor to the one hundred and four keys on a keyboard.
To misquote Charlie Brown: “AAAAARG!”
This is killing me.
For very good strategic reasons, we have not yet announced our next update or its major features, but I did not become a writer to NOT tell people about all the cool stuff I find out.
Happy, Happy, Happy New Year. The music is everywhere, and Trip the Light’s development is roaring.
This week has been fantastic, but it is also the source of a strange tension for me. You see…
This is a weird week, in so many ways.
Christmas is behind us and New Year’s looms. Some of the staff are off on a well-deserved vacation for the interim, but some of us just cannot stay away.
I mentioned last week that we break down our usual tasks into two-week “sprints.”
The big holidays are rushing to meet us, but none of us feels any urge to relax. We know that you expect a lot from us, and we are eager to live up to your expectations. To those of you …
Game design is the sum of small decisions. From feedback and reviews to the names of our modes, every detail is shaped with our dancers in mind.
Trip the Light is out in early access. In our first Dev Diary of a Wallflower, we open the door on game development, animation workflow, and the small details that make our VR dancers feel alive.
